Writer Wednesday: Meet Julieann Dove!

View More: http://nataliejaynephotography.pass.us/julieThat’s right! It’s Writer Wednesday! Time to PAR-TAY!

And by party, I mean read this whole interview, because learning about authors is way cool.

The weather is stunningly gorgeous here in Virginia today – a true spring masterpiece. I hope you can say the same wherever you are. Speaking of Virginia, I’m delighted to have fellow Virginian and romance author Julieann Dove with us today, sharing about her life as a writer, and giving us a glimpse into her newest book, Waking Amy!

Welcome, Julieann! And away we go…


Business concept. keyboard and crumpled paper on table.What one piece of advice do you wish you’d had when first starting out?

I would’ve liked to be told that no matter what skill set I thought I had, or how I might’ve thought my imagination was good…go take at least two or three writing workshops before submitting anything to an agent. Let’s face it, you get one chance to make an impression, and although I got my fair share of requests, it always came back to a craft problem that enabled me from getting representation.

What’s your favorite romance novel of all time, and why?

Wuthering Heights. I can feel the love Heathcliff had for Catherine. Right down to my bones. The way he wanted her to haunt him when she died. There was such passion between these two characters. I never tire of reading it!

MusicButterflyWhat inspires you to write?

Music. I can hear a song and write a novel around the lyrics. I wrote my first novel from listening to the song Gravity, by Sara Bareilles. I even titled it “Gravity!” I’ve since changed the title, but I won an award for it, and I have the certificate with the original title. That was neat. 🙂


And now, a bit on Waking Amy:

Waking Amy DigitalAmy Whitfield is blindsided when she comes home and finds a note on the fridge from her husband, Wesley, stating that after four years of marriage, he’s leaving her. Amy was in the midst of trying to spice things up, to bring life back to their boring marriage. It seems now that she was too late.

As Amy sits with her head between her knees, trying to figure out what to do next, a call comes from Mercer General Hospital. The ER nurse is telling Amy’s answering machine that Wesley has been in a car accident.

When Amy arrives at the hospital, she finds her husband in a coma. The doctors say there is no sign of brain damage, and Wesley will eventually wake up. Relieved, Amy sees this as her second chance: the chance to get it right this time. To channel the girl Wesley won’t leave when he regains consciousness… She just needs some help to pull it off. After all, she was voted girl most likely to die a virgin in high school.

Amy would never figure on getting that help from Mark Reilly…Wesley’s doctor! He’s a non-committer, too-cute-for-his-own-good bachelor, and completely the guy Amy begins falling for. It’s a race against time to see who wakes up first—Amy or her husband.

Find Waking Amy on Amazon!


A bit about Julieann Dove:

Passports to world travel Julieann lives in Virginia, yet longs to live everywhere else. It doesn’t come as a surprise that along with her gypsy soul, comes an active imagination. That’s why she loves to write and invent worlds and people, so that she can formulate their happily ever after. Hobbies include cooking new recipes, sewing, and spending time with her cute boyfriend/husband and five fabulous children. Vacations happen in Nantucket or the Carolina beaches—anywhere there is inspiration for her next book. One day she hopes to travel to Italy, drive one of those little cars around the countryside, and speak the language fluently!



Thanks so much for joining us, Julieann! Wishing you great success with Waking Amy!

Baa Baa, Black Sheep: On Writing Indie Romance

https://www.flickr.com/photos/cordery/362762645/in/photolist-y4fGn-85R4Yj-8ByuRV-4ZwkyA-b27Jzc-9sfnyg-6nfwZm-eh2irv-bAAmr-2ZvEp8-5MKgpQ-cVkHUh-8E3w4T-N3FZG-8wkqRE-a9DfGa-bLdvw-ekLdGQ-8whpdg-6rarM7-9j7xag-9j7x1a-9j7xex-9jaET1-6uXLZB-9irswn-6v2WyJ-4ZwkBh-CJQ9y-CJPnd-CJPmU-CJPn7-CJPn1-CJQ9T-CJQ9E-CJQ9K-CJQDW-CJQDU-CJPmV-CJQDS-CJQa6-CJQE2-CJQ9Z-CJPn3-55JymV-qzz1U-wFWJL-nFG6M-8pvJjB-7DmW5d
Black Sheep – CC/Flickr

Romance and its authors have garnered lots of publicity recently, especially in light of Laurie Kahn’s recent (and excellent) documentary, Love Between The Covers. Numerous articles are swirling around the internet, refuting many of the myths about romance novels and the people who write them. Here’s just a sampling:

I love that people are challenging the notion that romance is lesser, that romance writing is simplistic, that romance is dismissible. Those of us within the community have long known those things are false, of course.

The same can be said of indie publishing: its image is transforming from consisting of only poorly written, barely edited trash thrown up on the internet, to being a viable alternative to traditional publishing, featuring numerous talented, cutting edge authors. Many indie romance authors have become certified rock stars in the genre, including Courtney Milan, Bella Andre, Katy Regnery . . . I could name many more.

But as a newbie indie romance author, I’m suddenly realizing what an uphill battle I have to get people to take me seriously: not fellow romance authors, perhaps (although of course I need to prove myself to them, as well), but friends, acquaintances, and anybody not tuned in to the romance and indie communities.

I know this, because I’ve been talking–online and in person–about my debut novel, A Man of Character, which hits the market May 26th. People are excited for me, and I’m so grateful for that. But several times, after friends and acquaintances asked me what I’m writing and/or who’s publishing it, their expressions changed, their faces fell or took on a humoring expression, when I replied, “romance, and I’m indie publishing.”

Writing romance is dubious enough, apparently–add indie to it, and you’re really not welcome at the table.

I could be misreading their reactions. I could be projecting my own self-doubts and fears as this book goes public. Yes, I’m nervous. Yes, I realize there will be people who don’t like my book. Yes, I’m sure I can (and will) improve my writing as I continue down this career path. And that’s OK. Because that’s what it is to me: a career path.

Don’t hand me that black sheep fleece, because I won’t wear it.

I am a writer. I write romance, and I love it. I’m an indie author, and proud of it.

Thank to you everyone who’s supporting me, encouraging me, and cheering me on. Thank you to my critique group, to my beta readers, and to my editor, Tessa Shapcott: all of you helped shape A Man of Character into what it is–a book I’m thrilled to claim as my own. Thank you to my fellow romance authors, an amazingly welcoming group of women (and men) willing to provide guidance, advice, and valuable insider information to newbies following in their footsteps. .

And thank you to everyone who’s purchased A Man of Character, or will purchase it–your willingness to take a chance on a debut author means the world to me.

Adventures in Editing: I Get Knocked Down, But I Get Up Again (Thanks, Chumbawumba)

A Man of Character
A Man of Character – A Snippet of the Real Cover. Thank you to Lankshear Design!

In January, I hired a developmental editor, Tessa Shapcott, to help me with my first book, A Man of CharacterGenerally speaking, I (and others) had been happy with the book, but I knew that to “do it right” as an indie publisher, I needed an editor’s opinion.

She gave me one. She gave me several. She gave me nearly four pages’ worth of suggestions. And they were spot on. Tessa is fabulous, people. But all those pages of suggestions meant I needed to restructure my book – move some elements to the front, delete others, add scenes, pay attention to emotional development.

I won’t lie. I wanted to bury my head in the sand. I even asked Tessa if she felt the book were worth salvaging (luckily for me, she most emphatically said YES).

So instead pulling my standard ostrich move, I got to work. It took me longer than I wanted (pesky Other Life responsibilities, plus my standard Time Managing Idiocy), but I finished that sucker, read through it again several times, made more corrections, and sent it off to Tessa for a second read-through.

Green light. WOO HOO! She liked it, felt the revisions worked well, and had just a few minor suggestions. I know there’s additional work to do after those revisions, since the next step is a line edit, but still, I was feeling on top of the world.

Last night, I was in the hot seat for my beloved critique group. A Man of Character in its newly revised form was up for review. And the critiquers did exactly what they were supposed to do, exactly what I want them to do: they critiqued it, meaning they found favor and fault in it. Lots of fault, depending on whom you asked.

I know that I have a long way to go in developing the thick skin writers need. I know that writing is rewriting. Writing is revision. And being a relative newbie to the fiction writing world, I have a lot to learn. In my head, I know all of that, accept all of that. In my head, I want to learn, learn, learn, to find out what works and what doesn’t, to grow and become better.

In my heart, I feel pain when someone challenges my baby, even when the challenges are justified, and would only lead to improving the book. In my heart (and head), I also know now it’s my turn to critique the critiques, by taking what I like and leaving the rest. And I will. I will. Just not today. Today, I’m not touching it.

It’s a roller coaster, this writing thing. It’s the highest of highs when you feel you’ve nailed that scene or that dialogue, when a beta reader tells you she loves the story, when you get positive feedback from fellow writers.

And it’s the lowest of lows, the days where you stare at the words and think they’re crap, when you get rejection after rejection from agents, when you open up your document returned to you from a critiquer and all you see are pages full of comments.

Some days I want to get off. Some days I want to ride forever.

They tell you your writing is not you. Don’t take it personally.

Does that ability come easier the longer one pursues this profession? I hope so.

In the meantime, I’m taking today to work on reading and reviewing other people’s writing. But I’ll be back at A Man of Character tomorrow. Because, warts and all, my baby is entering the world on May 26, 2015. And I’m excited.

How do you deal with the ups and downs?

#VALoveFest at the Virginia Festival of the Book

With Sabrina Jeffries!
With Sabrina Jeffries!

For the second year in a row, I was privileged to attend the Love Fest romance panels at the Virginia Festival of the Book (this year extended to two days, instead of just one – huzzah!).

Spending time in the company of romance authors and their fans is a hoot, y’all. Pretty much every author I’ve encountered has been delightful in person, and many of them have zany, witty, wildly entertaining personalities, as well. I love the romance community.

Day 1 of the VA Love fest was composed of three panels:

Bless Her Heart: Why We Love Quirky Southern Characters in Romance Fiction

FBPanel1
Pamela Morsi, Terri Osburn, and Kieran Kramer

Pamela Morsi, Terri Osburn and Kieran Kramer discussed writing those quirky Southern characters we all love. I tweeted from the event (as my form of taking notes). One of my favorite tidbits was this one from Pamela Morsi: “If you’re writing fiction, you’re always writing in a small town, even if your story is set in London.”

They Lived Happily Enough for Now: Challenges in Writing Modern Fiction

Virginia Festival of the Book Love Fest Love for Now
L to R: Kimberly Kincaid, Tracey Livesay, Carey Heywood, Delancey Stewart

In the second panel of the day, panelists Kimberly Kincaid, Tracey Livesay, and Carey Heywood affirmed that contemporary romance plots often look to internal rather than external conflicts, because there are fewer external barriers now. Kimberly Kincaid reminded us that great conflict starts with great characters – and that flawed characters are the best characters, as long as there’s a reason for the flaws.

Wicked, Witchy, & Wonderful: Strong Heroines in Paranormal Romance & Urban Fantasy

Virginia Festival of the Book
L to R: Melissa Marr, Mary Behre, Jaye Wells, moderator Caryn Moya Block

Panelists Melissa Marr, Mary Behre, and Jaye Wells discussed kick-ass heroines during the final Saturday LoveFest panel, as well as gender(ed) issues often encountered in romance. Melissa Marr affirmed that she writes strong heroines to show boys and girls that girls are cool. Jaye Wells says she uses magic in her books as a metaphor for power, as a useful way of showing women that they have power, and helping them determine how to use it.

Day Two likewise had three panels:

LoveFest Workshop: “Screaming To Be Ignored” — Capturing the Reader’s Attention

Virginia Festival of the Book Love Fest Screaming to be Ignored
L to R: Moderator Kimberly Kincaid, Rachel Kramer Bussel, Terri Osburn, Mary Jo Putney, Joanna Bourne, Mary Burton

Day Two of the VA Love Fest moved from downtown Charlottesville to Barnes & Noble, where we gathered to hear writers’ reactions to submitted queries and/or sample pages. Joanna Bourne succinctly summed up what does and does not belong in a query (and reminded us that the best and simplest dialog tag really is “said”.). Other panelists included Rachel Kramer Bussel, Terri Osburn, Mary Jo Putney, and Mary Burton.

LoveFest Workshop: Q&A About the Romance Biz After Publishing

Virginia Festival of the Book Love Fest Romance Biz
L to R: Avery Flynn, Sabrina Jeffries, Mary Jo Putney, Mollie Cox Bryan, Mary Burton

Next up, published authors Avery Flynn, Sabrina Jeffries, Mary Jo Putney, Mollie Cox Bryan, and Mary Burton talked about changes on the publishing front, conceding that digital books have driven word counts down, and reflecting on whether the pressure to publish quickly is driving down quality, as well. Mary Jo Putney reminded us to always put the story first: “Do not sacrifice quality for quantity, for readers won’t buy your next book.” When asked whether they would go the traditional or indie route were they newbie authors starting out today, most said they would follow the hybrid model of doing both.

LoveFest Book Signing: Meet & Greet Romance Authors

With Pamela Morsi!
With Pamela Morsi!

We capped off the day with a delightful “Meet & Greet” session. I got my picture with Ms. Jeffries for the second year in a row (wahoo!), and also with the fabulous Pamela Morsi, and chatted with many more authors.

Thank you to the Virginia Romance Writers, the Washington Romance Writers, and Sue London for sponsoring this year’s panels.

I highly suggest you mark your calendars for next year’s Book Fest and join us at the romance panels. It’s worth it!