Don’t tell my mom, but I started reading romance at the age of ten. I’d worked my way through all of the children’s books available in the local bookmobile, so I turned to the adult section, where I spied a book with a woman in a flowing green dress on the cover. The back said something about a pirate. I was hooked from that moment on (and still wish I could remember the name of that fateful book!).

As a teenager addicted to historical romance novels, I often had to defend my reading material of choice, even writing an essay for my tenth grade English class explaining my love for the genre: I read romance, because no matter what happens (and some pretty crazy things happen), you know those two people are going to end up together.

For this anxiety-prone child of divorce, that was the ultimate comfort, the idea that two flawed people could encounter all sorts of obstacles and still stay together, still find everlasting love.

As to why I write it? Because as an adult, I continue to seek that comfort, that security, that promise every day. Also, I’m a bit of a control freak. Plus, I really love witty repartee between characters. So an encouraging, reassuring story (with funny/witty parts, or so I hope) dictated entirely by me? Sign me up!

Romance provides escape, yes, but it also provides hope, and reminders that no matter what obstacles may come, Happy Ever After might be just around the corner. I hope my books entertain, amuse, and give that sense of hope, that sense of promise we all need, that second chances are possible, and that when life seems its bleakest, a new chapter might be waiting to be written. Gosh, that’s super-corny, but it’s true.

Writing, I’ve learned, also allows me to explore my own thoughts and beliefs through watching/learning what my characters do.

In A Man of Character, I examined the ideas of fantasy versus reality, perhaps in part because people have long challenged romance as presenting impossible ideals.

In A Matter of Time, I delved into whether feminism is compatible with wanting to prioritize love and marriage. (For the record, I am an ardent feminist who happens to be madly in love with my husband and who finds my identity in that relationship, and I’m good with that. So my answer to that question is a resounding yes.)

In A Scandalous Matter, I switched up the feminist theme by asking if romantic relationships negate individual independence, through the eyes of a heroine and hero who believe the two ideas are incompatible. (Spoiler alert: I disagree.)

And in my forthcoming The Demon Duke, admittedly a bit of a Beauty and the Beast story (my favorite Disney tale!) I looked at how we judge others and how we judge ourselves, and how we must make peace with who we are before we can be truly happy.

In each of my books, a main theme is finding one’s place in the world. How ironic that in becoming a writer, I’ve finally done just that. I know where I belong now, where my heart feels happiest, and it’s in writing romance.

I’ve come full circle, and I’m incredibly blessed.

Now, to you: What makes YOU read (or write) romance? I’d love to know! 

An earlier version of this blog post appeared on Tina Glasneck’s Celebrate With A Book site. I’m grateful to her for being fine with me posting it here, as well.

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